The barbed wire covering the big part of Dzaleka Refugee Camp in Dowa District can only do much in terms of restricting his physical movements. More so when, as one of the people living in a restricted area, a gate-pass is the only temporary way to the world beyond Dzaleka.
Fortunately,
the barbed wire does nothing, if anything at all, to hinder Levi Pro’s
wandering mind; a mind so fertile that one would not think he is only 20 years
old.
Levi
Pro, real name Levis Ndayishimiye, has, in the past three years, been one of
young men who have shone during the Tumaini Festival, an annual celebration of
culture and creativity that brings people from far and wide to Dzaleka.
“In
life, one should have no limits,” says Levi Pro.
It
is Friday, March 23, and Weekender is at Dzaleka Refugee camp.
As
is the case sometimes— except when there are special occasions or people are
having one or two drinks at any of the drinking joints at the camp— the scene is
silent and still. Of course, some children, aged between seven and 15 years,
create fun by the mere gesture of throwing dust in the air, or at each other.
Unknown
to the fist-time visitor is the fact that there is a lot of activity—
activities bordering on fun— in the mind of another young man who is, visibly,
silent but silently active. In the mind, that is.
It
is Levi Pro, the producer who has spent the better part of his life at Dzaleka,
having come to the place many call home away from home in 2006. In this home
away from home, Levi Pro has, in the past three weeks, been preparing for mock
examinations. Before the year ends, in this home away from home, Levi Pro will
sit examinations; not as Levi Pro, for that is a name associated with his trade
as an artist, but as Levis Ndayishimiye.
I
find him in the course of studies, which he combines with business because his
guardians run a small grocery, saving other residents of the camp from the
trouble of travelling a distance of between 300 and 400 metres to buy
groceries, maize flour, rice, tomatoes, onions, fresh and dry fish and whatever
tickles their fancy at the bustling market in the camp.
“I
call it multi-tasking; studying, selling merchandise, producing music for
choirs and individual artists, praising God, in my capacity as a Catholic, and
helping children who show interest in the arts with the necessary knowledge,”
says Levi Pro, who is fluent in Chichewa, English, French, among other
languages.
He
says this as we sit in his make-shift studio. It is dark inside. Blackouts have
hit again.
“You
see, as a producer, I get interrupted by power outages because, sometimes, they
come just when you were about to save the work or when a brilliant idea has
struck you and you are about to execute it. Sometimes, especially when you are
working on deadlines, power outages can make you appear unreliable to people
who seek your services. The thing is, I have no backup power,” Levi Pro says.
Well,
I first heard of the name Levi Pro during the Tumaini Festival last year,
although the soft-spoken artist has performed there three times— meaning, three
years.
The
artist has over 20 songs to his credit, including ‘Atakamapenzi’, ‘I am Born
Again’, ‘Life ndi Yovuta’, ‘You Are The Reason Why’, ‘Anything I do’, ‘Ndinu
Nokha God’, I Believe in Christ’, ‘Natakatuwe Pamoja [Ndikufuna Tikhale
Pamodzi]’, among others.
He
is a hip hop artist, which is not surprising because Levi Pro is a fan of
American artist Eminem. But, to serve the interests of R&B lovers, the
artist also delves into the same, making him a master of both.
“Since
I started taking music seriously in 2014, I have been into hip hop. I have a
brother, JB Extra, who is into reggae and dance hall. For the most part, I sing
about God because I regard myself as born again, in the sense that I shed off
my past and embraced Jesus Christ,” says Levi Pro, who feels at home when
playing with instruments or none at all, when performing free style or as
programmed by those responsible for organising an event.
He
fits in all worlds, or so it seems, because, in his world— a world that sets
physical limits despite its failure to arrest the mind— flexibility is the name
of the game.
“I
may say I am secular but I like the gospel of Jesus Christ. As I have said, I
am born again,” he says.
He
then delves into the issues of staying at Dzaleka, where the body’s freedom is,
to some extent, limited but the mind is always free; so free that, even when
wars are still ravaging one’s home country, the mind is always free to take the
individual person back home, where the individual can revisit places that were,
and are, dear to them.
But
only in the mind.
“Of
course, if you talk of life here [at Dzaleka], it is tough, especially when it
comes to getting money; even when it comes to getting singers. But, then, life
does not place a ceiling on our heads. One is free to do whatever they like; so
long as they have life. So, I am free in as far as life is concerned. I am free
to be creative. I am free to help others. And I am free to being helped.
“What
do I mean by saying I am free to being helped? I mean, as an individual, I need
things that I may not be able to get on my own. For example, I need a
professional studio; a room with buffers, a nice computer, monitors, mid-piano,
sound card, mixer, among other things,” says the 2018 Malawi School Certificate
of Education candidate.
But,
as he waits for a day the sun will shine on his life, a day that will transform
his hopes to reality, the wheels of life continue to roll. As usual.
Talking
of life, what is life, to Levi Pro?
“Life
is a season. That is why I divide my time into seasons. I have a season for
recording and producing songs for choirs and a season for producing songs for
individual artists. When one realises that life is, simply put, a season, it becomes
easy for them to divide the activities they spend much time doing into seasons.
That is what I do. The only thing that has no season is any action that borders
on reaching out to others, helping them. That is why I am always at the service
of those around me. When they give me a task, like selling things in the
grocery, I do them,” says Levi Pro.
So
far, he has produced songs for 30 choirs, some of them have come from as far as
Mponela in Dowa District.
MOVING ON: Levi Pro
In
terms of individual artists, he had produced songs for JB Extra, Ranking, RED,
among others.
From
time to time, Levi Pro finds himself engaging those responsible for the camp on
the need for a gate-pass, and that happens when artists have asked him to
travel to their base to record songs or when exigencies of duty demand that he
should venture out to look at life from the angle of a new comer.
“You
see, sometimes, when I am producing songs for a group of six or more people, it
becomes cheaper for me to travel to their base, because it is cost effective,
in terms of transport costs, than for them to come here [at Dzaleka] because
that means incurring more in transport costs [on their part],” says Levi Pro.
His
hope is that, in his small way, even when surrounded by barbed wire, he can
contribute to the economy of Malawi— the country he calls home away from home.
“What
I can say is that, once artists are supported financially, technically and
otherwise, they can propel the economy. The arts industry is part of the
economy, in the sense that there is the possibility of generating income,
creating employment, among other things. There is no ceiling as to how much the
arts industry can contribute to the economy. All we, artists, need is support,”
says Levi Pro.
At
that point, one of the residents at Dzaleka knocks at the counter of the
grocery— which is connected to houses in the place Levi Pro calls home—from
outside.
“I
am coming,” says Levi Pro.
That
is what it means to be of service to humanity. One has to combine business with
service, especially because helping out has no demarcated seasons.
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